Every shot, every version, one place.

Colour-managed review for production teams. Open a session on set, and every machine in the room has the media.

Shotcount session view: a 4K EXR shot with annotations, playlist and colour controls

No server.No cloud.No setup.

Media appears everywhere

Drop a shot into the session once. Every laptop in the room has it moments later, sent directly between machines.

peer to peer, content addressed

Every screen shows the same colour

An OCIO and ACES pipeline is built in, and HDR displays are detected. No per-machine LUT wrangling.

OCIO, ACES, HDR aware

Works when the internet doesn't

Sessions run on the local network first. Annotate offline; sync catches up when a connection returns.

LAN first, offline annotation

From the stage to the cutting room, without changing tools.

  1. On set

    Open a session on any Mac. Media swarms between laptops on the local network, and guests join and leave without leaving anything behind.

  2. Travelling

    Session state and annotations sync between the people who need them, wherever they are. Media follows when there's a connection, and waits when there isn't.

  3. In post

    Promote the session to a fileserver or cloud origin. Remote reviewers join over the WAN and see exactly what the room saw.

Built for how film is actually reviewed.

  • Frame-accurate playback

    Scrub, step and loop at the shot's true frame rate.

  • Annotations and notes

    Draw and write on frames. Notes sync to everyone in the session.

  • Playlists

    Order shots for a review and step through them as a group.

  • EXR, DWAB and DNx

    Native EXR and DWAB, plus DNxHD and DNxHR through FFmpeg.

  • ACES and OCIO configs

    Bring your show's config. Input, working and display transforms are all first-class.

  • Session PDF export

    Hand a producer a page per note, with the frame, in a minute.

  • Host handover

    Pass the session to another machine mid-review without a reconnect.

  • Guest sessions

    Invite a visitor for the day. Their copy of the media is removed when they leave.

Bring Shotcount to your next shoot.

We're running a small pilot with production-side teams. Tell us what you're shooting and we'll be in touch.

Join the pilot